Part Two: Yurodivi Goes to College
When I started attending Bourgeois Babdist Church I was not very mature at all. I didn’t have a clue about how to behave in polite company, and I embarrassed both my brothers no end. My father discouraged my attendance at the church, telling me that the church was just a nest of hypocrites, that I would get the same treatment there as everywhere else, and that it was a waste of time.
He was right about the treatment I got there. Since I wasn’t especially housebroken, no one wanted to be around me any more than they did at school. But Daddy’s words were factually correct, and while I imagine he thought he was protecting me from harm, they recall (25 years later) the passage in St. Francis de Sales’
Introduction to the Divine Life in which he instructs his young charge about the reception she will get in the world if she decides to lead the religious life:
As soon as worldly people see that you wish to follow a devout life they aim a thousand darts of mockery and even detraction at you. The most malicious of them will slander your conversion as hypocrisy, bigotry, and trickery. They will say that the world has turned against you and being rebuffed by it you have turned to God. Your friends will raise a host of objections which they consider very prudent and charitable. They will tell you that you will become depressed, lose your reputation in the world, be unbearable, and grow old before your time, and that your affairs at home will suffer. You must live in the world like one in the world. They will say that you can save your soul without going to such extremes, and a thousand similar trivialities.
Philothea, all this is mere foolish, empty babbling. These people aren't interested in your health or welfare.
My father’s protestations notwithstanding, I kept attending BBC through the first two years of college, singing in the adult choir every Sunday and Wednesday. For some reason, I couldn’t seem to get out of bed in time to attend Sunday School; now the 9:45 start seems decadently late in the day. I wrote a couple of choral pieces, but the choir director didn’t like them; when I pointed out that one of them was based on a Gregorian
cantus firmus, he said, “Don’t mention that around the choir. That won’t help your case.” This might seem like foreshadowing, but if so, it was not conscious on my part. At that point I hadn’t even the vaguest inkling of an intention to become Catholic.
At the end of my freshman year in college, I took the summer chorus option to earn my ensemble credits for the music school without being tied to rehearsals during the regular season, when I should have been practicing. The piece we performed was my first serious encounter with Catholic religious thought: Giuseppe Verdi’s
Messa da Requiem. I had no Latin at all, but I was able to make out large chunks of the text based on my knowledge of French and Italian. Since I had previously been taught the usual anti-Catholic calumnies, I was astonished to see how closely the Catholic faith mirrored the Christianity of the Bible.
In the spring of my sophomore year, the position of pianist came open at BBC, and I threw my hat into the ring. For those who are not familiar with the Babdist Church, the music used to be like this: the choir gathers in a huge raft of stalls above the pulpit (and in front of the Baptismal Pool). On one side of the stage (usually stage left) is the organ; stage right is the piano. When it’s time for the congregation to sing, the Music Minister stands in the pulpit and conducts the congregation. Mind you, not like the Catholic cantor, who merely indicates when it is time to sing, but actually beating time and giving cues.
On the other side, though, was a young woman who had an amazing gift for the piano. She was orders of magnitude better than I was. So naturally, given my thorny personality and my less distinguished technique, the church chose her over me. Within a fortnight I had secured a job at a small Babdist church in my own neighborhood, and I never went back to BBC again as a member. Instead, I moved my "letter" to the other church and played there for two years.
(Keep reading! The Catholic part is coming soon.)In a way, leaving BBC was a very important decision, and one that was ultimately beneficial to me. I would never have gained the playing experience there that I did at other churches, and I benefitted from the closer relationship with the pastor at the new church. He was a good guy: a former college football player, not the effete type one so often sees in ministry.
In the fall of 1984, I was embarking on the first semester of my senior year at University, and I sang in the chorus for an opera production. In that chorus I met none other than my first serious girlfriend, CJ. To be fair, I have to admit: she was my first
any kind of girlfriend. And she was that rarest of birds: a young, believing, practicing Roman Catholic. In order to engage her, I offered to trade her Russian lessons for German lessons. She jumped at the chance because she had been wanting to study Russian, but hadn’t been able to fit the courses into her schedule.
Now, in the years since my first fateful encounter with the Verdi Requiem in summer chorus, I had continued to learn Catholic liturgical texts through my music history courses. I had seen that, except for all that stuff about Mary, they were pretty much in line with what I had understood as the tenets of the Christian faith. On one of our dates, CJ described the Lenten season and its culmination, the Easter Vigil, in detail, explaining quite well for a layperson the significance of the parts of the liturgy. For instance, she was the first person to illustrate for me the connection between Passover and Easter (other than that they happened at the same time). For Catholics, Jesus became the Paschal sacrifice: his blood, like the blood of the lamb daubed on the lintels and doorposts of the children of Israel in Mithraim, wards off the Angel of Death so that we may have eternal life. For this reason the Paschal Lamb is no longer needed, and, in Aquinas’s words,
et antiquum documentum novo cedat ritui.The old rite (an animal sacrifice) yields to the new (Christ’s sacrifice and rising from the dead).
So I responded with the only liturgical rule I knew in the Babdist Church: Don’t play
Jesus Paid It All while they’re passing the collection plate. Ba dum BUM!
Seriously – Most of my life I had been told that the Old Testament was interesting to read, but no longer relevant. How could that be true, then, if there was such a connection from the foundation of the Hebrew rite to Christianity? And besides, there was that cool movie they made about it . . . and suddenly it all made sense.
As I continued to learn more, I expressed an interest in learning more about the faith as it is practiced today (and in Catholic years, 1984 is barely further back than yesterday). CJ gave me a book called The Teaching of Christ. It was a sort of condensed Catechism. I devoured it in a single night, and I never really looked back. For me, the ultimate proposition was, if Jesus spoke not just in parables, but in real terms, what did he mean when he said all that stuff in John 6, and again in all the Passion narratives, and why does Paul repeat it in his Epistles?
This is my body, which will be given up for you, and
He that eateth and drinketh, discerning not the Body of the Lord, eateth and drinketh damnation to himself.
And furthermore, Jesus didn’t say,
I’m off to heaven, but I’m leaving you this really great Book, but rather,
On this Rock I will build my church. (If you read my
Reply to a Dear Friend below, you’ve already heard some of this particular line of argument.)
CJ dumped me in the spring. She had moved away for her first post-collegiate job, and she wasn’t up for the rigors of a long-distance relationship any more, and I can hardly blame the girl. But I must say, I came away with a much greater gift from her than I had to give: the Catholic faith that is still with me today. I have been through times when God seemed distant, or when I turned my back on him and on the teachings of the Church. To be honest, I have, like Peter, often denied my Lord Jesus rather than acclaim him as my Savior; but I am thankful for every grace and favor that I have received from God’s hand.
My relationship with the Church has sometimes been a troubled one. I have a certain set of gifts and abilities, and I feel compelled to use them in the Liturgy of the Church, but some pastors are not terribly in tune with what the Church has set forth as guidelines for music at Mass. They reject the Church’s teaching authority (known as the Magisterium) and set up their own tastes as a guide to right and wrong. Also, I am not terribly subtle about my opinions, and singers, pastors and members of the congregation (the more empty-headed, the more likely I am to hear from them) are frequently offended by a clear presentation of the rules. Many pastors take broad advantage of the phrase
for pastoral reasons and do what they will to the Liturgy, elevating their tastes to the status of the Church’s teachings.
Coming Next: Yurodivi discovers that Conversion means more than a change of address.